So Many People

Polly McKie as Gertrude Stein 
with Penny Lynn White as Alice B Toklas
"McKie and White anchor the play with fairly 
miraculous specificity as the odd (lifelong) 
couple at its center"

I said the man for me must have a castle
A man of means he'd be, a man of fame
And then I met a man who hadn't any
Without a penny to his name.*

I dreamed of the West End or Broadway.  I still do.  But I am so thrilled to have been part of this brilliant new play and I was not paid a cent.  

Yes, I scoff and am frustrated with many of the Actors' Access casting notices (must be over 5' 6" and willing to do nudity...no pay!) I do not encourage anyone in this business to be foolish about what you have to offer. Of course, we deserve to be paid BUT, there are certain projects worth working for. For the project and for yourself as an actor.  

with Dorothy Weems as Dorothy Parker
"Plays like this do not come around often; a well written,
well organized piece for seven strong female actresses."

I had to go and fall
For so much less than
What I had planned from
All the magazines
I should be good and sore
What am I happy for
I guess the man means more than the means.*









Recently, I met a couple of particularly jaded and bitter actors who scoffed my working for low pay.  I started to doubt my choices. Of course, I want a better salary but when I examined their lives versus mine, I started to realize how lucky I am.  I have chosen art over money.  Of course, it is not easy but, quite frankly, if you put your survival bar job above a possible low paid acting gig, you are not helping yourself.  

Of course, we all need to survive, but your survival job HAS to be flexible if you want to be serious about your acting career.

"Special kudos to Polly McKie who seems to embody Gertrude Stein;"

So many people in the world
And what can they do?
They'll never know love
Like my love for you.*

My love is for acting. For the work.  Not for fame. Of course, I am ambitious and want to work with brilliant directors on brilliant plays, but that does not always mean Broadway.   

"...commendable acting with special notice to McKie's
nuances of depth and emotion to Gertrude"

So many people laugh
At what they don't know
But that's their concern
If just a few say
Half a million or so
Could see us
They'd learn*








And the most important thing is that work breeds work.  Word of mouth in this business is more powerful than anything else. I met the brilliant young playwright, Steven Carl McCasland through Polly's Follies (a weekly musical theatre open mic I host at Room 53) and he invited me to audition for "Little Wars". I read the script and loved it. And this play was full of wonderful female roles. Something hard to find! 

As actors in this current climate, we often pay to be seen by casting directors and it is always better to be able to talk about what you are working on. And gives you an opportunity to invite people to see your work.

I am not saying that you should take any old unpaid acting work. Of course, you must have respect for your craft and yourself. But, once in a while, a great project crosses your path and there can often be so many reasons to say YES.

with Samantha Hoefer as Bernadette
"...the raucous Gertrude Stein
expertly played by actress Polly McKie."

So many people in the world
Don't know what they've missed
They'd never believe
Such joy could exist
And if they tell us
Its a thing without growth
They're jealous as they can be
That with so many people
In the world
You love me.*

*So Many People from "Saturday Night"
Lyrics by Stephen Sondheim

www.pollymckie.com

www.theactorsfriend.com

I Like to Be in America! O.K. by me in America!

First posted by Polly McKie on Friday, April 26, 2013 

I woke up today and spoke in an American accent.

Not because I have forgotten my roots.  Not because I have turned into Sheena Easton. I chose to speak this way. And I booked a job.

My journey with my American voice has been long and interesting (well, I find it fascinating, but that’s because it’s all about me.) As with many actors, I thought I had a firm grasp on what an American accent was and I could do it without any trouble. Boy, was I wrong.  I now look back and think I was some kind of combination of Fran Drescher and Miss Adelaide. I admit a little of a snooty attitude to taking speech class at HB Studio.  As a foreign student, I had to take speech with the other foreign students who had English as a second language. (Glaswegian could be considered another language, but that’s a whole other blog.) I resented it. I was wrong again.  Enter Amanda Quaid! A class and teacher who changed everything for me. For the better (no offence to the great Fran and Adelaide).

Of course, I am happy to play the Scotch Irish (please enlighten me what Americans mean by that) drunk/mother/nanny etc. Heck, I’d even play the maid! I realised, though, that if I wanted to be cast in anything other than Irish plays (most Americans think I am Irish), I needed to master a passable American and not be a caricature (I’m enough of a caricature in real life without adding a funny voice to the equation). I had to learn that pool and pull do not rhyme in American.

That’s harder than it sounds.

I realized that I needed to work.  And I worked.  I took Amanda’s class and I studied with her privately and I practised (or, if I’m speaking in my American dialect, practiced).  Any chance I had, I used my American.  Chances for me were when I spoke to strangers (a cab, a deli, etc.).  If I had attempted to try it with my family or friends, I would have been ridiculed. There is a fine, fine line when trying to embrace American culture but maintaining one’s heritage.  And when we speak the same language (essentially), that seems to make it more complicated. I argued with some of the E.S.L. students that, in some ways, Amanda’s class was harder for me.  I had to “unlearn” how to say words I had been using all my life.  After hours, weeks, months of drilling and practice and working on the key to being believable (making it sound like ME) skip to today:

First there was a callback for a character from the midwest (I am from the midwest of Scotland, but this was for the midwest of America).  I have learned, after many mistakes, and much advice from Amanda, just to start in American from the very beginning.  So I speak to the bus driver in American.  I order a bagel in American. I chat to people in the lift (sorry, elevator) at Ripley Grier in American.  Trouble is when you bump into someone you know, but I am working on that.
Biggest compliment is that no one asks me where I am from.  If I go in for something American and am not asked, then I know I have convinced them.  Or even better at one audition: I performed my American monologue. Then the casting director chatted to me.  He looked at my C.V. (sorry, resume) and asked “So what took you to Scotland?”

When leaving that first audition this morning, there was a voicemail from a casting director about a reading for a new screenplay: Hi, I received your submission for the role and want to ask you about your accents.
So, I called back.
Me (in own voice): Do you want to hear me speak in an American accent now?
C.D. (in her own voice too, I assume!): Yes, please.  If you don’t mind.
Me (in American): No problem.  I’m not sure what to talk to you about!  You can also see clips on my website from Heidi Marshall’s class and I use my American for those.
C.D. Do you mind holding the line while I watch?
Me: Of course not.
3 minutes of being on hold (seemed like 3 hours).
C.D. Well, that’s impressive.  It’s very hard to be able to hide a Scottish accent. I’d like to book you now if you’re free next Friday.